The Paper Kites

The Paper Kites (10:10 PM)

Old Man Canyon (9:00 PM)

Thu, November 12, 2015

8:00 pm

$15.00

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The Paper Kites - (Set time: 10:10 PM)
The Paper Kites
THE PAPER KITES: twelvefour

“It was wild to write until you are so tired that nothing sounded too over-worked – songs didn't feel restricted by a commonly analytical brain. This record is the sound of five people trying to make something they're proud of... And we really are.”

Pre-dawn lyrics and lush, late night melodies: twelvefour is the gorgeous second album from Melbourne five-piece THE PAPER KITES. It’s been four years since the quintet first formed and turned heads with EP Woodland (followed up by 2013’s Young North) – and quickly became one of Australia’s best-loved live acts, particularly with the release of their acclaimed 2013 LP, States. That record delivered favourites such as “St Clarity,” “A Lesson From Mr Gray” and Young” reaching #17 on Australia’s ARIA Album chart.

It’s not just here at home that the bands profile has been building – with over 150,000 Facebook fans, and with a whopping 20 million views and counting on YouTube, the band have toured across North America under the invite of City And Colour (aka Dallas Green), plus enjoyed a string of sold out international headline dates of their own. Their Australian tours have seen the band play venues such as Sydney’s Enmore Theatre and Melbourne’s Forum and Athenaeum Theatre.

Now, the Melbourne band – Sam Bentley, Christina Lacy, David Powys, Josh Bentley and Sam Rasmussen – are back, with an effortless, sprawling listen that explores new terrain to unveil their best work yet.

“The album is a concept record, based around a theory that an artist's creative peak is between the hours of midnight and 4am,” explains front man Sam Bentley, who’d been searching for a theme to shape album #2. A passing comment from a friend back in August 2014 delivered the spark. “That idea turned into the heart of the project, so every night I'd sit down when the clock ticked over to midnight and just start writing.”

For two sleepless months Sam worked, reversing his sleep patterns and penning 30 songs in his home studio. “I got to the end and thought, I'm never doing that again,” Sam laughs. Lyrically, twelvefour isn’t about some sort of somnambulist or insomniac blues, however. “You’re always more melancholy during those hours,” Sam points out, “but if I could sum up the album it’s about what happens when selfishness and love collide.”

Take the title refrain of the golden, harmonica-laden “I’m Lying To You ‘Cause I’m Lost,” or album opener and first single “Electric Indigo,” with its plea for redemption: “But you’ve been waiting long enough to let it go / I’ll do you right / ‘Cause time is just a remedy / Covered in disguise”. (Be sure to check out the video for ‘Electric Indigo’, starring actress Laura Brent – The Chronicles Of Narnia, A Few Best Men.)

“Neon Crimson” is one of Sam’s favourites, embodying the album’s spirit. “Late-night isolation, a confession, an apology... The album as a whole is an open letter. Words and melodies written very late at night to attempt to understand the heaviest of choices, which is choosing someone else or yourself,” says Sam.

Determined to capture a bigger, bolder sound, the group travelled to Seattle to record in February 2015 with Grammy-nominated producer Phil Ek (Father John Misty, Manchester Orchestra, Fleet Foxes, The Shins). twelvefour is lush and intimate: think drum machines, dirtier guitars (“very much an ‘80s twinge,” Sam insists) mixed with soulful, smooth synth moments – see closer “Too Late. Plentiful late-night vibes.

Recording in the Pacific Northwest was a joy. The band took up camp in the hip suburb of Ballad for six weeks, while Ek encouraged them to push themselves. “Phil was someone we'd always wanted to work with, but I know he turns a lot of bands down,” says Sam. “We thought it wasn't necessarily worth asking.”

“The great thing about working with Phil was that you couldn’t fake it – he wanted to hear the real thing,” Sam continues, recalling a day the producer chided him after a vocal take. “He was really honest with us, sometimes brutally, but all in the interest of making a better record. He made a real point about letting things be how they sounded like they wanted to be.”

A visit to the studio of Chris Walla (Death Cab For Cutie) was like being let loose in a gear candy shop, while blood and sweat literally made its way onto the record when bassist/keyboardist Rasmussen cut his hand while laying down “Turns Within Me, Turns Without Me.” “He cut his hand open playing these weird keys that were attached to cymbals he was slamming together… all which ended up on take we used.” Track “Revelator Eyes” shows off Lacy’s harmonies, in what Sam describes as “kind of fast, still very lush, kind of sexy” vibe. “She really loved that song, we were both pushing for it to be on the record.”

Returning home in April, the record was finally done. Fans can also look forward to a special documentary about the making of twelvefour, filmmaker Matthew Cox capturing the entire recording process in all its glory, warts and all: “it’s not all sunshine and rainbows”.

The resulting album is a startling document to a band truly growing into their own: surefooted and focussed. “As always I hope that the people who listen to our music continue to go along with us. We're really excited to be taking these songs on the road, and bringing everyone up to speed with where we've been.”
Old Man Canyon - (Set time: 9:00 PM)
Old Man Canyon
Born from the efforts of front man Jett Pace, Old Man Canyon arrived on the alternative scene in early 2012. After the release of the group's debut EP Phantoms & Friends, their music has appeared in the MTV series Awkward, Showtime's Shameless and the Bravo series Suits, to name a few.

"It has been an incredible thing to witness— having our songs in these television series has allowed so many people to hear our music and come to support us."

Jett Pace began his musical journey in Vancouver, BC, where he grew up in the mountains of the North Shore, and attended an arts-focused school that encouraged the development of his musical ability, beginning with the cello.
Jett's passion for music grew steadily over these formative years, as he ventured into other genres, such as hip-hop.
"My close friends and I used to make a lot of hip hop music together. We were always rapping to anyone who would listen. We would usually sing the chorus of the songs, so I think as the years went on we became more interested in the melodic parts rather than the rapping."

After high school, Jett travelled abroad in Europe and Central America for a year, gaining insight and experiences that laid the foundation for what he wanted to create musically and artistically. Upon returning to Vancouver, he began playing music in a group that was able to gain some positive momentum. But as many groups often experience, they decided to go their separate ways.

"It was really hard to let that project go, as it was with such good friends, but looking back at it now, it couldn't have happened any other way. It was perfect and exactly what we all needed for our artistic vision to really blossom as individuals."

In the following months, Jett spent most of his time writing material solo, honing in on the sound he wanted create.
"There came a point when I had a good collection of songs written that complimented each other well, so I decided to record an EP with a local producer/engineer, Dave Meszaros. We spent the next five months recording and experimenting with whatever came to mind. We had a ton of fun with the process and the results were very exciting. "

Since Phantoms and Friends was released, the band toured Canada and made a striking music video for the title song, "Phantoms and Friends", gaining increased notoriety along the way.
"The last year has really just been about building a team of people to help bring this project to the next level. I couldn't be more excited about who I am working with right now. It feels great to have people you like and trust on your side, helping build your vision."

Jett Pace has big plans to tour Old Man Canyon throughout the US and Canada, along with recording new material later in 2014, for what will be their debut LP.
"I am really excited for what this year holds. I feel an incredible amount of drive to bring this project to the world, especially through live performances. There's something lacking in many live shows these days— something in how the performer brings his art to a crowd. There is an undeniable separation between spectator and performer, and one of my greatest desires is to find a new way to interact with people at the shows in a way that engages and inspires them to create on their own and be a part of a shared experience".
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change