A Thousand Horses

A Thousand Horses (10:00 PM)

Chasin’ Crazy (9:00 PM)

Thu, October 1, 2015

8:00 pm

$15.00

Sold Out

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A Thousand Horses - (Set time: 10:00 PM)
A Thousand Horses
Drive across the rural South with the window down and the radio on. Hit scan and listen as muscular country, drawling rock, high gospel harmony, low-country blues and old school soul meld together into something special and distinct.
That’s the sound of A Thousand Horses and the exciting new band’s debut, Southernality. The 13-track Dave Cobb-produced album won’t be out until June 9, but the Republic Nashville group already has a hit on the way with first single “Smoke.” Fans have responded to the unique hypnotic song in a way that shows the band’s all-genre mix of classic influences remains in the DNA of young music fans in the digital age.
“Subconsciously, our audience grew up listening to those albums that we all love too and the reaction so far has just been exciting,” lead singer Michael Hobby said. “To me country music’s always been cool. I grew up on it. There’s a wider audience now. The lane seems to be a little bit wider for artists like Eric Church and Jason Aldean to push boundaries. People call it Southern rock or people call it country or people call it rock ‘n’ roll. To me it just feels like it’s all just music now.”
Hobby is joined in the creative core of A Thousand Horses by guitarists Bill Satcher and Zach Brown and bassist Graham DeLoach. Their friendship and similar interests have helped them create a distinct swamp boogie that fits right in with country music’s current party paradigm.
Southernality - a blend of the words Southern and personality - rolls by in an easy gallop. It’s a night drive with the top down, a bucket of beers at a waterside roadhouse, a walk arm in arm next to moonlit breakers. “Smoke,” which set a record for the highest debut by a new act when it opened at No. 28 on the Country Aircheck radio chart, offers a perfect entry point to the vibe as Hobby sings about a woman’s intoxicating presence in his life.
“I think a lot of people are relating it to their lives,” Brown said. “We’re seeing a lot of people post the lyrics on social media. I think ‘Smoke,’ lyrically in my opinion, it’s a really good story. I think it’s one of my favorite lyrical songs on the album. It’s easy for people to take those lyrics and apply it to something in their lives.”
The song’s power comes from the band’s chemistry, which was evident even in the earliest days when Hobby and Satcher met while checking out guitars at the only music store in Newberry, South Carolina. DeLoach, first cousins with Satcher, entered the picture while visiting from Georgia during summers and holidays.
The trio moved to Nashville because it seemed like the natural place for their sound and soon invited friend of a friend Brown to join. They all lived together at first, writing songs, mapping out an ambitious approach. It was a special time when they formed the bond that would lead to their first record deal with a Los Angeles-based rock label trolling for talent in Nashville.
Cobb, whose work with Jamey Johnson, Sturgill Simpson, Jason Isbell and Chris Stapleton has garnered high praise, immediately bought into the band’s vibe and stuck with the group when they lost that first record deal, along with their manager and booking agent. The group persevered, found a new manager in Scott McGhee of McGhee Entertainment Management and landed a rare second chance. Cobb recorded the album at the Zac Brown Band’s Southern Ground Recording Studio in Nashville.
“They are a true band of brothers,” Cobb said. “They’ve been together through thick and thin. Also, make sure you never give them a key to the minibar.”
Alcohol did indeed play a role in shaping the album, but their parents’ record collections and older brothers’ listening habits had more to do with their wide-ranging influences. Southernality feels a little like another band of brothers, The Black Crowes. And The Rolling Stones and Lynyrd Skynyrd in Muscle Shoals. Tom Petty a few weeks after he met The Heartbreakers. And Led Zeppelin in the thrall of Howlin’ Wolf.
“I have two older brothers and they were always jamming all that stuff,” DeLoach said. “And I remember my oldest brother said ‘Gimme Back My Bullets’ was his favorite Lynyrd Skynyrd song. So he’d drive me to school and stuff and crank Lynyrd Skynyrd. And I grew up in Savannah, Georgia. Gregg Allman actually lives like right outside the city, so it was always a big deal: “There’s a Gregg Allman sighting!” He’s like hanging out. So, a lot of Southern rock.”
Dig deeper, though, and new layers appear.
“My first live concert was Alan Jackson on the Midnight in Montgomery Tour, so there was a lot of Garth Brooks, a lot of Alan Jackson, a lot of Confederate Railroad and a lot of Alabama that my brothers loved and I always grew up listening to.”
These more mainstream country influences can be heard in album standouts like “Sunday Morning” and “(This Ain’t No) Drunk Dial.” Some of that music is out there already. Fans can preorder Southernality on iTunes and receive four songs now.
The best way to preview the album, though, is to catch the band on the road with Darius Rucker’s Southern Style Tour, starting this May. Rolling Stone Country called the band the best up-and-comer at last year’s Austin City Limits Festival and fans can see why as ATH hits the road as a nine-piece band with three backup singers, a fiddler and a keyboard player.
“The whole concept behind this thing is we’re a big band,” Satcher said. “We wanted to showcase the whole thing. I think we’re able to paint the picture of certainly what it’s like on the album, the full vision we had when we wrote these songs.”
Band members understand the fan reaction to “Smoke” has been special and hope to parlay that relationship into something more on the road. Southernality is complete and their deal on an imprint that’s a partnership between the world’s largest record label, Universal Music Group, and the Big Machine Label Group, home to Taylor Swift, Tim McGraw and Florida Georgia Line, places them in a position to succeed.
“It’s been five years, all just traveling in a van around the country, sharing food and sleeping in that thing,” Hobby said. “Now we’ve got a record coming out and a single on the radio. It’s pretty cool.” Added Brown: “We had a period where we were back to Square 1. What do we do? Do we call it quits or do we keep going? This is what we do.”
Chasin’ Crazy - (Set time: 9:00 PM)
Chasin’ Crazy
Landon Parker (acoustic guitar/vocals), Travis Fincher, (drums/vocals), Jimmy James Hunter (lead guitarist, vocals), Creigh Riepe(keyboards/guitar, vocals) and Forest Miller (bass/fiddle/mandolin, vocals) are Chasin’ Crazy.

The band first took shape in 2012 when Hunter and Miller met in Nashville while playing in separate acts at a show. It was out of this meeting, during which the two also met Fincher, that Chasin’ Crazy was born. “Forest and I played together and instantly clicked,” said Hunter. “We must’ve played every club in Nashville, before we decided that it was time to build on what we had, so we went looking for a drummer.” “For some reason I remembered meeting Travis at that show years before, so I gave him a call to see if he was interested in joining us. He heard us play, and a few weeks later he joined the band.”

“I was blown away by their musicianship and professionalism and I could already see the huge potential for an amazing future together,” said Fincher.

For several months they performed as a trio until they were approached by Scott Siman and April Rider from RPM Entertainment who believed that they had the talent, musicianship and passion to be successful. The logical next step was to continue to build a bigger band with a bigger sound, which came by way of a fan of Hunter’s who suggested he talk to Parker, who at the time had his own band in North Carolina. In awe of his vocal skills Hunter reached out to Parker to try and convince him to visit with them in Nashville. Parker made the trip and soon after realized that he was a natural fit for the band. He moved to Nashville and committed fully to the project. Reipe rounded out the group several months later bringing another dimension with his keyboards and vocals, when the band discovered him from his performances at Belmont University in Nashville.

Chasin’ Crazy has spent the past two years together honing their craft, solidifying their bond, touring and writing songs together. Their name, the title of a song written by Hunter, captures the essence of the band at this time in their lives. Each member emphasizes the ‘crazy’ that we all pursue, the band’s unflinching and focused desire to establish themselves as an elite Country talent.

“Smack Dab” was written by Landon Parker, Drew Davis, and Danny Myrick. It’s a youthful and fun song about being “Smack Dab” in the middle of love. The single is nearing Top 10 on Sirius XM’s The Highway and is already showing strong sales numbers and plays on Spotify.

“Smack Dab” was recorded at Westwood and Quad Studios in Nashville and was produced by Marti Frederiksen and Blake Chancey, who are in the studio working on Chasin’ Crazy’s debut EP that will come later this year. “These producers, who are from different worlds, have never worked together,” said Miller. “We wanted to find something unique on the production side and we love working with them.” Frederiksen is best known for his work with Aerosmith, Carrie Underwood, Daughtry, and Gavin Rossdale and Chancey, for his work with some of Country music’s biggest artists including Dixie Chicks, Montgomery Gentry, Little Big Town and Mary Chapin Carpenter.

Chasin’ Crazy’s organic vocal harmonies have some comparing their sound to that of The Eagles, Little Big Town and Zac Brown Band, a comparison the band finds daunting, yet flattering. But whatever their journey brings Landon, Travis, Jimmy James, Creigh and Forest will be Chasin’ Crazy.
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change