Tennis

Tennis (10:00 PM)

Pure Bathing Culture (9:15 PM)

Devon Williams (8:30 PM)

Sat, October 25, 2014

8:00 pm

Adv Tix $18.00 / Day of Show Tix $20.00

Sold Out

This event is all ages

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Tennis - (Set time: 10:00 PM)
Tennis
Tennis is comprised of couple Alaina Moore and Patrick Riley. The Denver-based duo
began writing music together as a way to document their time living at sea on a small forty year old sailboat. The result was their first release, Cape Dory which saw them quickly become one of the most alluring and blogged about bands of the new decade. Moore and Riley followed Cape Dory with Young and Old, which The New Yorker described as “winsome as it is ebullient,” and debuted #1 on Billboard’s Heatseeker Chart and #1 on CMJ Top 200, where it remained for three straight weeks. The album also debuted on Soundscan’s “New Artist Chart” at #1 remaining there for nine consecutive weeks. In 2013 the Small Sound EP debuted on Communion Music, followed by thousands of miles on the road, and a support tour with sister super-group, Haim. Late last year, the duo released
Ritual In Repeat. Produced by Patrick Carney (The Black Keys), Jim Eno (Spoon) and Richard Swift (The Shins), their latest full length showcases a band in full control of their sound and craft. With well over a million streams and multiple television spots, the album has been received with open arms by loyal fans as well as new.
Pure Bathing Culture - (Set time: 9:15 PM)
Pure Bathing Culture
It’s a rare and beautiful thing when a band emerges fully formed, but it makes perfect sense in the case of guitarist Daniel Hindman and keyboardist Sarah Versprille’s Pure Bathing Culture. Having backed folk rock revisionist Andy Cabic in Vetiver, the New Yorkers partnered up and moved West in 2011, settling in Portland, Oregon. Building off their past experiences as musical collaborators, in a short time the duo
have created a sound that is undeniably their own: soaring synths, chiming keyboards, and shimmering electric guitars move in lockstep with bouncing drum machines. Sarah’s crystalline voice floats on top of it all with divine purpose. It’s a sound that looks back momentarily for inspiration — Talk Talk, Prefab Sprout, Cocteau Twins — but then fixes its gaze firmly on the present.

Further developing the sound of their acclaimed four song, self-titled 2012 EP, at the start of 2013 they set out to record Moon Tides, their first full length album. Again, they chose to work with producer Richard Swift at his National Freedom studio in rural Cottage Grove, Oregon. Throughout 2012 Swift had called on the duo to help him with other studio projects (Versprille sings on Foxygen’s latest LP and Hindman adds his sprawling guitar work to Damien Jurado’s excellent Marqopa) which only helped to cement the threesome’s musical partnership. For Moon Tides they continued where the previous EP left off, bolstered by Swift’s belief in the duo’s artistic vision and their unique sound, “From very early on, Richard was the person telling us that what we were hearing and wanting to do musically (which at times could feel a little strange or embarrassing to us) was ok and valid and that we should pursue it.”

Like the earlier sessions for the EP, they worked quickly in the studio and improvised parts around the basic song structures that they’d carefully composed up in Portland. Dan explains, “Pretty much all tracks (vocals and instruments) are all first or very early takes. Richard is kind of a stickler about this and I actually don’t go in with a clean, pristine idea of what I’m going to play on guitar or any other instrument for that matter, so there’s actually a lot of improvisation as far as performances in the studio go.” The results, like the earlier EP, are astounding: the arrangements feel fresh and imaginative, the melodies are unforgettable and the finished songs, most importantly, feel intensely human and deeply spiritual.

It’s this compassion and warmth in Pure Bathing Culture that set them apart. The music is uplifting. It invites self-reflection. It never feels alienating. This, confirms the band, is no accident: “Concepts of spirituality, self actualization, mysticism, new age symbolism and pretty much anything that has to do with humans making sense of why we’re all here are all deep, deep muses for us.” To that point, even the album title Moon Tides alludes to self-discovery: “We are deeply inspired by the relationship between the moon and the tides. Particularly in the sense that the tides and the ocean are comprised of water and the element water is often associated with human emotion.” While these heady themes can be difficult to explore in a pop song, Pure Bathing Culture makes it feel effortless. “Pendulum” is a perfect mid-tempo album opener that pulses and shines. Other standout tracks from the album — “Dream The Dare”, “Twins”, “Scotty” and “Golden Girl” — are slices of reverb-drenched, soulful, danceable electro-pop, that musically and lyrically tap into an introspective worship of the natural and psychic mysteries that surround us. Pure Bathing Culture’s debut album Moon Tides is optimistic modern music for souls who seek to explore the infinite.
Devon Williams - (Set time: 8:30 PM)
Devon Williams
Following up two brilliant albums (2008's Carefree and 2011's Euphoria), Slumberland and Los Angeles' Devon Williams are very proud to present Gilding The Lily. Williams' shimmering pop combines his broad musical tastes with exceptional song-writing and arranging skill, and an unerring ear for melody - all of which are in ample evidence on Gilding The Lily.

Devon started recording Gilding The Lily with long-time associate Jorge Elbrecht (Lansing-Dreiden, Violens, Ariel Pink) immediately after completing Euphoria, and over the intervening two years the songs steadily evolved, mirroring changes in Williams' life that include marriage and multiple intercontinental relocations.

From album opener "Deep In The Back of Your Mind" through first single "Flowers" and the lushly romantic "Will You Let Go Of My Heart?" Williams has honed his trademark blend of power-pop, orchestrated soft-rock and layered, melodic jangle-pop to a perfect edge. The elegant "Games" is a great example of what Devon does best — complex emotions played against a driving pop tune that recalls The Church at their melancholic best. The aforementioned single "Flowers" is a masterpiece of orchestral texture, with rolling drums, chorused guitars and swelling synths backing a tune that hearkens back to the most delicate 60s soft-pop — while sounding totally of-the-minute. "Puzzle" is pure power-pop heaven, a great contrast to the dreamy "Rabbit Hole" and closer "Gilding The Lily."

It's these contrasts that enliven Gilding The Lily and the consummate skill with which Williams arranges and executes his beautiful songs that mark him as a truly unique talent who, with this album, has reached a new peak of craft and creativity.
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change