mewithoutYou : Catch For Us the Foxes 10 Year Anniversary Tour

mewithoutYou : Catch For Us the Foxes 10 Year Anniversary Tour

mewithoutYou : Catch For Us the Foxes 10 Year Anniversary Tour (9:45 PM)

The World is a Beautiful Place & I am No Longer Afraid to Die (8:45 PM)

Dark Rooms (8:00 PM)

Sun, June 22, 2014

7:00 pm

Adv Tix $17.00 / Day of Show Tix $20.00

Sold Out

This event is all ages

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mewithoutYou : Catch For Us the Foxes 10 Year Anniversary Tour - (Set time: 9:45 PM)
mewithoutYou :   Catch For Us the Foxes 10 Year Anniversary Tour
Those who have followed mewithoutYou’s music in recent years will likely see their new, self-released Ten Stories as a return to old form. Their previous record, It’s All Crazy!, etc. had been a drastic and intentional departure. Aaron Weiss’ manic, unorthodox hollering was nowhere to be found, deliberately giving way to a more conventional melodic vocal approach. The explosive, schizophrenic drumming and swarthy, tempestuous low end (Rickie Mazzotta and Greg Jehanian, respectively) were accordingly subdued, relegated largely to keeping basic time. Chris Kleinberg had jumped ship for med school, leaving Mike Weiss reluctantly alone on electric guitar, feeling like a session player embellishing his little brother’s folk songs, no longer part of a coherent unit.

In short, due largely to their singer’s creative wanderlust, the band had entirely forsaken whatever they’d become; in an effort to spurn the familiar, they had grown unrecognizable, alienating no shortage of fans in the process. Those fans, and whoever has come to miss what was most distinct about mewithoutYou, will welcome Ten Stories as the rightful follow-up to their 2006 release, Brother/Sister, and 2004’s Catch for Us the Foxes. To be sure, the band hasn’t altogether renounced the psychedelic-rustic-pop elements of It’s All Crazy!; rather, they have renounced the scrupulous control inherent to its renunciation. Simply put, they seem to have let go of the steering wheel, and are back to writing music, well, ‘naturally.’

“They’re not quite children’s songs,” vocalist Aaron Weiss explains, “with not quite coherent storylines, but there is an overarching and kind of child-like narrative: a circus train crashes in 19th century Montana. Some animals escape, others stay in their cages. The traveling menagerie re-rails, stays its course, and struggles to fill in the missing attractions. Meanwhile, freed from institutionalized life, the rice-cake rabbit takes to a peripatetic fortune teller, the monastic walrus is tempted by a hedonistic owl, a fish falls for an eggplant. Other songs describe a contemplative Fox’s prophetic dream, a starving Bear’s vision of a martyred saint, and an indecisive Peacock & gnostic Tiger learning the virtues of megalomania from an ego-annihilated Potter Wasp.”

This bizarre, character-heavy lyrical approach let the band revisit their perennial leitmotifs of romantic disaster & quasi-mystical speculation, without the self-pity/indulgence of direct autobiography. Reflecting recent, devastating personal losses, practically every song addresses our inevitable dying, apparently easier to face when projected onto anthropomorphic animals. This zoological ventriloquist act allows them to explore abstract philosophical themes and draw on finespun literary sources with a profound goofiness that deflates whatever danger of pretentiousness. The story-teller elements are obscure enough to avoid the short-lived rock opera aesthetic, leaving most plot details and potential moralizing to the imagination; and this without succumbing to insincerity/irony, overt relativism, or outright nonsense.

The ever-odd Daniel Smith’s production and veteran Brad Wood’s mixing combine to improve upon the best sonic elements of the band’s past releases. Musically, Ten Stories is a mix of the brazen noisiness, hypnotic soundscapes, and derelict shouting of their old songs, the dead-level melody and extravagant orchestration of recent years, and a newfound reliance on ethereal harmonies, courtesy en masse of female guest vocalists (most notably, Paramore’s Hayley Williams). Whimsically morbid as an Edward Gorey alphabet, simultaneously self-abnegating and -aggrandizing, defying simplistic musical or intellectual categorization, mewithoutYou’s new collection of songs is the fabulously vivid outgrowth of an ongoing religious and irreverent eclecticism, a ‘decade-plus narcissistic scramble for artistic affirmation’ (their words), and the even longer-running and peculiar friendship of four not-so-younggentlemen from nowhere in particular, apparently at the height of their mutual affection.

Epilogue:
mewithoutYou’s 17-ton grease-powered bus — the ornately-chipped, floral-painted, “mental hospital on wheels” — will once again, according to the band, “hem and haw its way across the country this summer, punctuated no doubt by near-daily breakdowns, makeshift repairs, newborn babies, manic depressive episodes, and desperate attempts by all parties involved to separate [them]selves from separation itself.”
The World is a Beautiful Place & I am No Longer Afraid to Die - (Set time: 8:45 PM)
The World is a Beautiful Place & I am No Longer Afraid to Die
The World Is a Beautiful Place & I Am No Longer Afraid to Die are an atmospheric emo / indie rock band from Willimantic, CT. The band was formed in 2009 and has undergone several lineup changes since its inception. TWIABP's now 8 piece lineup writes the songs collaboratively and often on-the-spot with vocal duties shared by 4 members. The band's sound is easily compared to second wave post-emo indie rock bands of the late 90s and early 2000s and their atmospheric moments are often tagged as "post-rock." The band creates their dense textured sound with multi-layered and heavily effected guitars as well as synthesizer, cello, and trumpet.
Dark Rooms - (Set time: 8:00 PM)
Dark Rooms
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change