The Parlotones

The Parlotones (10:15 PM)

The Daylights (9:15 PM)

Transfer (8:30 PM)

Tue, May 31, 2011

8:00 pm

$12.00

This event is all ages

Facebook comments:

The Parlotones - (Set time: 10:15 PM)
The Parlotones
From their origins in Johannesburg, South Africa, The Parlotones have achieved multi- platinum-selling status in their home country, selling more records than Coldplay, The Killers and Oasis together. In 2010, The rock 4-piece completed a sold-out 300-date, 18 month world tour which brought The Parlotones to the attention of music fans in Germany, Austria, Switzerland, France, Italy, Spain, Benelux, Russia, the US and the UK – where they packed out 1000+ capacity venues by word of mouth alone. In 2011, they have started to conquer North America, selling out New York, Chicago, Vancouver, Seattle, San Francisco, and Los Angeles on their first ever North American headlining tour. The Boston Herald declared “The Parlotones could be huge here. Killers Huge. Muse Huge. Coldplay Huge.”

The band’s achievements over the last several years demonstrate the universal appeal of the band’s darkly romantic lyrics and anthemic songs. In 2009, The Parlotones became the first South African band ever to sell out the Coca Cola Dome in Johannesburg, a 13,000 capacity venue. They played the 2009 Presidential Inauguration, Africa Day, and Live Earth. In 2010, they were gracious hosts at the World Cup, headlining the World Cup Kickoff concert with Shakira, The Black Eyed Peas, and Alicia Keys. In the fall of 2010, their latest release, Stardust Galaxies, hit #13 on Billboard’s Alternative New Artist Chart and spent several weeks in the Billboard’s Indie Top 200. In November, they proved that they’re not just hometown favorites, selling out world-renowned venue Shepherd’s Bush Empire in London.

Over the course of their three full length releases, the band have enjoyed 15 top 10 hits in South Africa. Music industry showcases at South by South West, MIDEM and Dubai Sound City followed and have firmly established The Parlotones as one of the world’s most exciting new acts. Their music has been made available through Sony Ericsson phones and they have their own branded laptop. More recently, their music has been heard in “Jersey Shore”, “I Used To Be Fat”, “Pretty Little Liars” and “One Tree Hill. “

Their success is not limited to their music alone – the band have their own brand of wine ‘Giant Mistake’ which has earned the band a no.1 in the Sunday Times wine list and distribution through major European retailers. They followed up Giant Mistake with a white wine called “Push Me To The Floor” and a rose called “We Call This Dancing. The Parlotones wines will be available in the United States late in 2011.

The Parlotones Key Acknoledgements include:
-South African Music Awards 2006 - Best Rock Album -You Awards 2007 - Best Band -FHM Readers Choice 2007 -MK Awards 2007 - Best Video
-Resfest 2007 Best Video (nomination) -People’s Choice Awards 2008 - Best Music Act -Best Band Award – Caxton’s best of JHB -Loerie Kraft Award 2008 (first time a music video has won at the Loeries) -MTV Africa 2008 – Best Group nomination -MTV Africa 2008 – Best Alternative nomination -MK Awards 2009 – Best Video -MK Awards 2009 – Best Animation -MK Awards 2009 – Best Serenade -SAMA Awards 2009 –MTN Record of the year (nomination) -SAMA Awards 2009 – Best Global Chart DVD (nomination) -SAMA Awards 2009 – Best Music Video Of The Year -International Songwriting Competition (ISC) 2008 Music Video (first place) -International Songwriting Competition (ISC) 2008 Performance (second place) -2009 “Rock.Paper.Scissors” featured on USA hit TV series One Tree Hill -The band are spokespersons for both Live Earth and Earth Hour along with Bishop Desmond
Tutu, Prince Charles and Rihanna -Charity involvement: Starfish, children's charity - MK Awards 2010 – “Push Me To The Floor”: Best Video - MK Awards 2010 – “Overexposed” Best Special Effects - International Songwriting Competition (ISC) 2009 * Life Design: Best Rock (nomination) * Life Design: Best Video (nomination) * Push Me To The Floor: Best Video (2nd place) -SAMA Awards 2010 – “Push Me To The Floor”: Best Music Video Of The Year -SAMA Awards 2010 – “Stardust Galaxies”: Best Rock Album English
The Daylights - (Set time: 9:15 PM)
The Daylights
The Daylights are a commanding three-piece emerging from the neon lights of Los Angeles, CA. The close-knit group consists of brothers Ran (guitars/vocals/keys) and Ricky Jackson (bass/vocals) and drummer Svend Lerche. Known for their giant melodies and cinematic sound, the band has just released their highly-anticipated self-titled debut album, recorded in London with super-producer Youth (Paul McCartney, U2) and an all-star cast of engineers and mixers. As an indie band, The Daylights' opportunities have been nothing short of extraordinary, securing coveted spots on sold-out tours with Katy Perry, OneRepublic and NeedtoBreathe. Touted as LA's most underrated band, in the past year they have played for more than 10 million viewers on national television and in front of over 100,000 people live. With a debut record in hand, the coming months and year hold far greater possibilities.

Driving down a 2 lane road in rural New Mexico, Ran yells from the back, "Hey Svendo, you mind turning down the music?" I've done a lot of interviews, but never from the 4th seat of a giant touring van affectionately known as Blanch. Just days before, she had caught fire driving somewhere along the east coast. "I woke up to black smoke and the boys shouting," says Ran. "I had come out of a dizzying dream, so I figured we were suspended on the rail of a bridge or had just plummeted down a mountainside or something to that effect. All I could think about was that my AAA had just expired." It turned out it was just an electrical fire, and luckily the local fire chief hadn't been asleep too long and was surprisingly quick to respond. A couple days stranded for repairs, and the band was back on the road. - "Svend, can you turn this song up?" and turning back to me, "Sorry, is that too loud?"

Last week marked the release of the The Daylights highly-anticipated self-titled debut LP. The album is a rising triumph, and does much to expand the band's sonic and lyrical identity. At times it's unapologetically bold and stadium-sized, as in the fuzz bass-driven opening track "Black Dove", other moments brooding and vulnerable, most featured in the mic-in-a-room confessional "Quick Fix". "We wanted to make a record that you could put on in your car, drive an hour, and feel like you got a lot more than just 60 miles down the road," explains Ricky.

Lyrically the band is getting comfortable in their skin. "Don't cry with your cinema eyes, you're fine china on a string, you're my zeros and ones and everything in between," sings Ran in the raucous "Digital_Kiss", perhaps the most unrestrained few minutes we've heard from the band thus far. And while there's an obvious, intentional polarity occurring within the record, every song is unmistakable Daylights. The first single "Rogue Machine" features lush backwards synths and a gorgeous string top line, as Ricky pines, "Don't say that you want me, say that you need me, let yourself go...don't try pretending there is no feeling left in your bones." There's a confidence in the writing that has come to bear without boiling over.

One of Los Angeles' premiere indie bands, The Daylights had the privilege of working alongside a critically-acclaimed heavyweight. "I don't know where we got the audacity, but we called our favorite producer Youth and his camp to find out if he would be up for working on the album," says Ran. "We didn't have major label backing, but he was very kind and was a fan of what we were doing as a band, and a few months later, we managed to get ourselves and some gear over to London." The band describes the time in the studio as a very intense and liberating three or four weeks. "I, for one, can probably get a little too analytical during the creation process, and Youth's entire mantra was about feeling and reacting; not allowing the time or opportunity to mull things over too much. We all tracked in the same room, and by the end we were starting and finishing a song a day. I remember we couldn't fall into Youth's pace at first; but it was amazing how we managed to catch up and change our mindsets and work flow. We'd stop pretty frequently for tea and toast- you can't take that away from the Brits- but Digital (Kiss) was tracked and finished in 3 hours, I think." Fortunately and unfortunately, when they left London with the record all but done, the band signed onto a six-month tour with Katy Perry–a strange but beneficial pairing–and the record had to wait for mixing.

The album is admittedly longer than most debuts, at 15 full tracks (w a few experimental bookends). "We've always thought of ourselves as songwriters first," says Ricky, "but there were moments when we were tracking and it was feeling good and I was like, ‘man, let's just make this one an instrumental.' It's great playing with guys that still surprise you musically, even after playing together a while, like they haven't shown all their cards yet or something."

It's an interesting dynamic, the three guys, and even though Svend is from Denmark and unrelated (though he could certainly pass as the third brother), he seems to dial right into the sometimes arcane nature of communication. "It makes sense, me growing up in Denmark listening to American music and the guys growing up listening to stuff from my hometown. I think it's why we play well together...there's this good push and pull going on. I feel like we ended up making a very honest record, with how we were all feeling at the time. That's by far the most satisfying thing for each of us."

The band spent much of last year on the road with OneRepublic and Katy Perry, and they've just completed a tour with Civil Twilight. In a few weeks time, they'll begin a 40-date national tour with NeedtoBreathe- highly coveted spots and abnormal opportunities for an indie band. Now, with a record in hand, the coming year looks to be an extremely promising one. Their single "Rogue Machine" has climbed to the top 50 on the Hot AC radio charts without any backing or label support. "We don't mind being underdogs," says Ran. "Makes for a much better story."
Transfer - (Set time: 8:30 PM)
Transfer
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change