Nicki Bluhm

Nicki Bluhm (9:00 PM)

Brothers Comatose (8:00 PM)

Tue, August 27, 2013

7:00 pm

adv tix $15.00 / day of show tix $17.00

TICKETS AVAILABLE AT THE DOOR STARTING @ 7pm.---CASH ONLY

This event is all ages

All ticket purchasers will receive a digital download of the new Nicki Bluhm and The Gramblers album! Nicki Bluhm and The Gramblers, hailing from San Francisco, will be celebrating their forthcoming album release with a California tour in August. The new album will be released Tuesday, August 27th, 2013 on Little Sur and will be the debut under Nicki Bluhm and The Gramblers. The album will serve as the follow up to Nicki Bluhm's Driftwood and include the current single and live favorite "Little Too Late."

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Nicki Bluhm - (Set time: 9:00 PM)
Nicki Bluhm
Compass Records is excited to announce the release of renowned singer/songwriter Nicki Bluhm's new album, TO RISE YOU GOTTA FALL out June 1. To celebrate the announcement, Rolling Stonepremiered the tle track yesterday, hailing the song as "a blast of Memphis soul." TO RISE YOU GOTTA FALL as recorded in Memphis at the legendary Sam Phillips Recording studio and features two co-writes with Ryan Adams and a Dan Penn cover. For these live band analog sessions, Bluhm brought in producer Matt Ross-Spang (Margo Price, Jason Isbell), and the studio band included Will Sexton (guitar), Ross-Spang (guitars), Ken Coomer (drums and percussion), Al Gamble(Hammond B3), Rick Steff (piano) and Dave Smith (bass), with Reba Russell and Susan Marshall (background singers), Sam Shoup (string arrangements) and various special guests.

"It was the very first song we tracked," Bluhm told Rolling Stone, "and Ken just started playing the groove and the band slowly started to drift in. Ken is such a present musician, and he's listening to the words and reading the room and the vibe...There's a line in the song that says, 'I went looking for some perspective, so I knocked on my mama's door,' and he just hit the drum -- the rim -- like a knock, which brought a playfulness and lightness to the song. I love Will's guitar playing, too. It's so understated, but he makes himself known. It's like the old saying goes: 'The young bull charges down the hill, but the old bull takes his time.' These musicians were tasteful; they're all old bulls full of experience and class. Having a string section arranged by Sam Shoup was the icing on the cake. Memphis had melted into my California soul."

After six years with her band the Gramblers, and recent high-profile collaborations (Phil Lesh, Infamous Stringdusters, Ryan Adams), Bluhm wrote the life-chronicling songs for TO RISE YOU GOTTA FALLover a two-year period, during which she got divorced and moved to Nashville, TN. The album is a chronicle of her state of mind following these deep and fundamental life changes.

"These songs are quite personal," Bluhm says. "They are the conversations I never got to have, the words I never had the chance to say, and the catharsis I wouldn't have survived without."

Bluhm's divorce, along with the need to challenge herself, inspired the West Coast na ve to make her spur-of-the moment, cross-country move to Nashville in 2017.

"Nashville was inspiring because of all the songwriting going on here," Bluhm says. "When I would come to Nashville on writing trips it was just percolating... it was intoxicating. So I very hastily, in a matter of days, decided to move. I just had this gut feeling."

Ross-Spang happened to be mixing a record in Nashville at the time and they met up and hit it off immediately.

"I really needed someone who was going to take the reins and have a vision for the album and he really did," Bluhm says of meeting Ross-Spang. "My ex-husband had been my musical director, co-writer, and producer on all my records except one and I was looking for someone to step into that leadership roll, which Matt did very gracefully. I was looking for a clean slate; the only baggage I wanted to bring into the studio were the words to the songs I was singing. I wanted it to be a fresh experience; I didn't want to even have history with anyone in the room that would pull me into old habits or ways of thinking. So we agreed we'd record in Memphis."

Once settled in Sam Phillips Recording, the sessions revolved around tracking live with an ace band assembled by Ross-Spang.

"We really just recorded live and we didn't do that many takes of each song," Bluhm says. "The final versions we ended up with were all one take. It was really refreshing to go analog. It minimized over thinking and second guessing, forced us all to stay in the moment and play from the heart. Sam Shoup did all the string arrangements and when he walked in the room I thought he was a housepainter; he was the most understated, unlikely suspect. That was the thing about Memphis that was cool... not a lot of egos, just people making music for music's sake. Throughout the session there was a lot of listening and trusting. Matt really spends me curating his sessions and who he decides to bring in; he knows how to keep the vibe right. What you are hearing is, as Jerry Phillips would say, 'not perfection but captured moments in time.'

"I had lost my partner in so many ways," Bluhm continues, "my musical partner, my life partner, my creative partner, and all of a sudden I was left on my own, to start my own engine. It was really intimidating and scary," she says "but I had support from my management, my agent, my friends and family, and ultimately I just had this guttural drive that I didn't even know I had in me. I was on autopilot, ready to move forward and take the steps I had to take to keep moving forward. When the album finally comes out it's going to be like setting a caged bird free."

Bluhm will be touring this year and beyond in support of TO RISE YOU GOTTA FALL. The confirmed tour dates are below with more to be announced soon.
Brothers Comatose - (Set time: 8:00 PM)
Brothers Comatose
“The good thing about a string band, is that things tend to culminate with dancing rather than elbows flying in a mosh-pit,” says Gio Benedetti of the Brothers Comatose. The original members of the quintet with brothers Alex and Ben Morrison, bonded at the Morrison family acoustic music parties before taking a youthful foray into punk and rock bands *and ultimately* before circling back to the music they learned in that living room. They credit both beginnings for the attitude of their current music. and As a testament to their skillful energy; they have already played the major festivals including the esteemed Hardly Strictly Bluegrass Festival, The Strawberry Festival and High Sierra.

On the new album, Respect The Van out May 22, their music is not a wavering mélange of assorted styles, but decided and strong bluegrass-influenced folk rock. With the addition of members Philip Brezina (fiddle) and Ryan Avellone (mandolin) the band aims “to offer a damn good time, with a no-bullshit style that we found in those original living room parties and our live shows,” says Ben. “We tracked everything for the album live in one big room – treating the studio like a stage,” he explains.

As for the name, only a brother could pick it out by observing his sibling. Guitarist *and vocalist* Ben said when brother Alex Morrison *(banjo and vocals) * goes into a trance-like state while playing his banjo, “his eyes roll back in his head like he’s in a coma.” It’s certainly not indicative of their music, which doesn’t have any of the indulgent noodling breaks characterized by other string based bands – though the musicianship is solidly there, it’s given with a communal and inclusive spirit to sing and dance along to. Now, at live shows, the San Francisco band is known for handing out chopsticks to the audience for participatory percussion on whatever surface is closest.

And while the music is strong and clear, there are some serious themes as in the lead track “Modern Day Sinners,” a Guthrie inspired populist sing-along with shades of 50's R&B and doo-wop in the harmonies and feel. “I wanted to call ‘bullshit’ of the type of politician or fat radio host that’s giving advice while living a terrible and shameful life,” says *bassist and* vocalist and banjoist Gio.

“Scout” was written by Ben as part of “The 52 week club,” a songwriting group that sends out theme a week as a writing prompt. “It my first contribution. I wrote it from an autobiographical perspective of a young boy scout hanging out with his grandpa,” shares Ben. “My grandpa was a nice man some of the time, but could also just be bitter and I always wondered what he was so angry about. This song is about the young scout hanging onto his youth and and hoping to keep that spirit at the end.”

120 East” is a harmonic ode to the brotherhood of a band, written about The Brothers Comatose's journey to and from The Strawberry Music Festival. “I wanted to capture the sense of being with your best friends, of being willing to trust them and follow them anywhere,” says Gio.

The band wrote a raucous, fiddle tune ode to their 1988 Chevy G20 tour van and called it, fittingly, “The Van Song.” “Phil wrote all the instrumental melodies and it didn't have any official lyrics for a long time,” says Gio. “It saw two rowdy live performances where we all just made up verses on the spot. We finally wrote some real lyrics, and had to record it - we love our van in a way that is border-line obsessive.”

“Morning Time” is Ben’s folk-country duet with breakout artist Nicki Bluhm. “It tells of the ever present struggles between man and woman – the guy wants to maintain his life in the big city with all of its late nights, bustle and craziness and the woman is ready for a mellower life. It’s a compromise and ultimately setting aside some quality time in the morning to spend together,” shares Ben

“Feels Like The Devil” is a drop-tuned, resonator-driven shit-kicker that would be at home on any bluegrass stage, while “Pennies are Money Too” is an old-timey instrumental that well illustrates the band’s musicianship.

Despite their name, the band is anything but Comatose. “It's just one, big, extended Morrison music party,” they say. The Brothers Comatose will be playing all spring and summer including April dates in Boise, Portland, Eugene, Washington State, North Carolina and all thru California, including appearances at the Banjo-B-Cue festival, and the Kate Wolf Festival. More dates and new videos will be announced soon.
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change