One Shot Records Night

One Shot Records Night

Viernes 13 (10:45 PM)

Left Alone (10:00 PM)

Los Kung Fu Monkeys (9:15 PM)

Los Creepers (8:35 PM)

Schizm (8:00 PM)

Teenage Rage (7:30 PM)

Sat, September 8, 2018

6:00 pm

$15.00

This event is all ages

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Viernes 13 - (Set time: 10:45 PM)
Viernes 13
From Los Angeles, California comes VIERNES 13. They bring a mixture of ska, surf, and Rockabilly. Although Viernes 13 does not like to limit themselves on styles or label these are some of the styles and sounds they enjoy playing. Which in fact has no definition but breaks many genre of the music world. Such a diverse style of music will appeal to everyone.

VIERNES 13 began their musical careers early when Mario Luna (Co-Founder) and his long time High School Friend Jose Solis (Co-Founder) decided that it would be fun to jam out and play Ska, although Jose is no longer in the band he will always be part of VIERNES13. The band has seen many members but the heart and soul has always remained the same.

In 1999 VIERNES 13, new to the musical scene, shared many backyards & American Legion Halls stages with bands in different genres of music from Death Metal to Emo, introducing “The Metal heads” to ska. VIERNES 13 was in such popular demand, that they decided to record their first Self-titled EP. By the end of 1999 “VIERNES 13” became a household name in the SKA scene, trading back yards and Halls for World known Venues such as The Roxy Theater & The Whiskey a go-go in Hollywood.
Viernes 13 has shared stages with such bands as Royal Crown Revue & The Slackers, just to name a few.

Once Jose and Mario figured out that this could be a potential good thing, they started looking for members to complete their band. One day, while shooting pool at a local pool hall, J.P (Singer) was approached by Jose and Mario. Previously Jose had met J.P at a clothing store where J.P worked. Jose and Mario mention to JP that they liked his style and were considering asking him to be the front–man to their new project. JP, a writer at the time, thought this would be a good platform for his poetry, and said yes.

With the addition of a singer to their project, the band was still not complete. They then asked Juan if he knew a drummer. Juan remembered a guy that he went to High school with. Juan was interested guy to be in it”, said Juan. And he did. Mikey was a drummer for the South Gate High School Marching Band, where he learned the basics of drumming and music in General. The band still needed their horn section to achieve their style and sound that they wanted, that’s when Juan suggested to add a trumpet and a trombone player, that’s what brought Melvin Benitez in to the band, currently attending Huntington Park High School and where he played in the High School Marching band, and where he learned a lot of his musical skills, Melvin has always loves the ska sound so he immediately jumped on the opportunity to play in what could be a great sounding band,

Later more members where added to the band including Steve Kramer who replaced the current trumpet player. At the time Steve recently had just moved to California seeking a new life and a new career, Steve was not satisfied just being here in California; he had an urge for playing music. Because of his extensive knowledge in music attending and graduating from Michigan Tech University, where he was part of the “Pep Band”. Steve was seeking a band where he can play and show off his skills. He found Viernes 13 one day while surfing the net, Melvin saw a posting “Trumpet Player seeking band” from there Steve was part of the band, there was nothing missing from the band except maybe more winds, there was other guys that they knew would like to play with Viernes 13 that when Lil. Mike, Ruben, and Mark join the band, they gave Viernes 13 the “Big Band” sound to they always wanted.

Viernes 13 has since shared stage with many well known American bands such as The Slackers, Royal Crown Revue, The Mighty Mighty Bosstones, and Manic Hispanic as well as Latin America Bands such as Las Victimas Del Doctor Cerebro, Inspector, and Tijuana NO, to only name a few. Viernes 13 is currently working on their first full length album with will include a new Rocksteady sound as well as the classic Viernes 13 sound everyone loves.
Left Alone - (Set time: 10:00 PM)
Left Alone
The exuberant yet repentant punk anthem that launches Left Alone's 2006 sophomore Hellcat offering is the kind of no bullshit, honest proclamation that fans of last year's highly-praised Lonely Starts and Broken Hearts have come to expect. That lead-off number, dubbed "The Sinner", is the sort of joyous chant along that has earned the devotion of punk purists throughout the globe. But as Dead American Radio unfolds, it reveals itself to be a far more adventurous, diverse and rewarding song cycle than its predecessor.

Simply put, Left Alone has concocted a stone cold classic album that artfully takes aim at corporate radio, suck ass emo bands and everything in between while incorporating elements of ska, cowpunk, pop contagiousness and old school punk. Yet according to Left Alone's guitarist, songwriter and mouthpiece Elvis Cortez, that variety which counts the efforts of saxophonist Noe, and the inclusion of Hammond organ and pedal steel wasn't necessarily a goal for the new disc.

"We were just picking up on different kinds of music and grooving on different elements," Cortez says. "My only goal was to do a record I'd be 100% happy with. Lonely Stars was recorded in like four days or some shit. This time we had a lot of time. Plus we had been on tour forever and had a lot of songs. Everything just worked out. Much like our band, it's just a bunch of weird shit that just all kind of goes together.

From a pensive heartbreaker like "Waiting For You" to the charged punk firecracker "Drunk Again", the flow of the record is somehow seamless thanks to the musical aptitude of Cortez, Noe and their rhythmic commando Ramrod (drums). With "La Pregunta," recent tourmate Patricia Day (of HorrorPops fame) joins Elvis on the quirky ska-inspired, Spanish-sung duet, while Rancid's own Tim Armstrong joins forces with the band for the upbeat, rock & roll road tale "City To City".

"I brought some songs over for Tim to check out and he really liked "City To City," so I asked him if he wanted to sing on it," Elvis says of his hit-worthy collaboration with Hellcat's founder. And he said, Yeah. So he wrote the verse he sings and he helped me arrange the song. He's so good at that kind of stuff. The guy is amazing in so many ways. It was a trip working with him.

If "City To City" is an instant classic that deserves to be an airwave favorite, Cortez recognizes that the likelihood that it and the other winners like on Dead American Radio like the reflective, energetic "Every Night" and the terrestrial (a.k.a. testicle) radio critiquing title track will be heard by the masses is slim. People think that bands get popular out of being good, and it's just not true, Elvis proclaims. I've always known it to be pretty much a money thing. It's like the rich gets richer and radio is the worst example of that. For a band it sucks because there's so much good stuff that should be on the radio but it never gets the chance because maybe their label can't afford it or just chooses not to buy into it. I've always felt that if a song is good enough, it shouldn't matter what label it's on, but that's not the way it works.

If corporate radio still sucks, Left Alone's frustrations with the medium haven't kept the quartet from excelling on Dead American Radio. It's funny because somehow these songs wound up being some of the catchiest I've ever written, Cortez marvels. And some of the songs ended up sounding like they could be at home on the radio. But I didn't sit down with that in mind. We just jam and then put the ideas together, it's never a plotted out thing with our music.

It's amazing then, to consider that this big, bombastic sounding record was produced on a modest budget before mastering. A testament to Cortez's skills as a producer, he says the band just took our time and did what we always wanted to do. We did the drums on reel to reel analogue and dumped them into Pro Tools. I borrowed a Gretsch and a bunch of Les Pauls and different amps and cabinets. And Ramrod got a new, high end drum set and all of this equipment and we focused on the sound as much as the songs and it really worked out well.

Of taking Left Alones music to a new level, Elvis acknowledges, We could do the whole hardcore thing, and I started with it, but I'm more about melody and textures. That's everything for me. We feel really good about this record. The whole band is excited. I can finally say that from start to finish, I feel so complete with this thing. It feels like we hit it out of the park. When I listen to the record we made, I'm like, Fuck yeah!

If defying convention seems to be protocol for Left Alone, Cortez confirms this notion when he speaks of a recent House of Blues gig in L.A. with Hellcat labelmates Tiger Army. We both had pedal steel guys! the frontman laughs. It's like totally out of context for punkers with Mohawks. The soundman was like, You have a saxophonist, a pedal steel player and an organist and you're a punk band with Mohawks? What are you guys doing?

But despite the group's willingness to try new things, the men of Left Alone are still ardent punk purists a disdain for a certain popular rock subgenre. Hence the delightful, revivalist kick in the ass known as I Hate Emo.

On the 2004 Warped Tour it started for us,Elvis confesses. It was like attack of the clones. Emo bands they look the same, they play the same, they talk the same. So the song started as a punk rock song called Fuck Emo. And the chorus was like, Yeah, I said it. I said it. And then we did the Warped Tour Barbecue and all these emo bands would look at me like I was an asshole. And maybe I was.

I guess with me, I don't give a fuck what music looks like or how it's packaged,Elvis says, in spite of his band's own eye-catching Boombox-centric album cover. As long as its good and genuine, it will shine through and people will catch on. If you play your shit with balls, and truly have some balls, it will shine through.

Summing it all up, Elvis Cortez decrees, We're no Hot Topic band. That's for sure.
Los Kung Fu Monkeys - (Set time: 9:15 PM)
Los Kung Fu Monkeys
Ska-Punk Band from Tijuana, Mexico.
Los Kung Fu Monkeys are a ska punk band based out of Canada, U.S and Mexico. Formed in 1997 joined their talents and forces to start Los Kung Fu Monkeys. That same year the band recorded their first three-song demo which included songs like “Consecuencias” based on the excess of uncontrollable youth, costing them 10 dollars to record each song, and opening the doorway to being one of the top local and regional bands with such a loyal following that it caught the eye of Los Angeles-based now defunct label ONE SHOT RECORDS, who released their first album Rebuilding the World recorded in Love Juice labs in Riverside, California, U.S.A. in 2000. With the release of Rebuilding the World in 2001, they were brought to the attention of an international audience that it became the precursor and the beginning of what would be the path to endless touring throughout the world, starting their first with Union 13 (Epitaph Records) all over Mexico in 2001 with a sold out concert in Mexico City for more than 2000 people.
In 2002 they released the Para los que ya no estan E.P. limited to only 1000 copies that included a series of lost demos by Philco Raves of Mystic Records (punk label in the 1980s and 90s and producer of NOFX’s Maximum Rock and Roll Album), including a hidden track of AFI’s song “A Single Second” covered by Los Kung Fu Monkeys live at the Glasshouse in Pomona, Ca.
“End Transmission” was released in 2003, recorded, mix, mastered and produce by Mike Trujillo (Strung out, Chocking Victim, collaborator with Epitaph Records) and this album becomes the fuel to get the band to shared stage, tour Mexico and for the first time the U.S. with Voodoo Glow Skulls in 2004. Time passed, promotion still going on the album, and the band gets invited to take part on one of the most important punk festivals in the U.S. the “Vans Warped tour” in 2005 becoming the first Independent Mexican Band to be a part of the festival tour and getting a slot on the 2006 “Vans Warped Tour” Compilation with the song “Short Fuse”, also by this time the band records their first official music video for the song “Neglect” landing a month plus airtime on the National Mexican Music Television station TELEHIT.
This same year they released the self-titled album, this is the first album on their own label RIOT RADIO Records, taking this decision when the band got offered a deal from a label in Mazatlan, Mexico that the owners ended up being involved with drug trafficking, laundering money and being arrested by the authorities, leaving the band with no label and no way to release their album, so they took upon themselves to make this happen, the result, one of their most successful albums in Mexico, recorded, manufactured and distributed by the band itself, with 14 songs mostly in Spanish (one in English), and the sound and the fury of such songs like “Una y Otra Vez” caught the eye of European label Übersee Records who opened the doors for the band to release and tour Europe for the first time in 2007, going to France, Germany, Czech Republic, and Austria.
In 2008 LKFM was hand-picked by Dropkick Murphys directly to be their support band in all their Mexico dates, and also to be included in Guadalajara’s “Festival Extremo” with artist like Moby, Underworld, Maldita Vecindad, Stephen Marley and more.
In 2009 Übersee Records asked LKFM to release an EP exclusively for Europe, as a result they released the “Lobo Hombre in Paris” E.P. where they cover the iconic Spaniard pop band La Union with the song of the album title, also including another cover “Screaming at a wall” from the iconic legendary hardcore band Minor Threat, a remake of “Ciudad de Nadie” and 2 more unreleased tracks for the album that open the doorway to tour England, and Belgium for the first time as well as coming back to Germany, then coming back the tour the United States, and once again being picked to be the support band for NOFX’s Mexican tour in late 2009 Tijuana and Mexico city. By 2010 the band releases their first discography collection album “And they came from Tijuana…” recollecting almost all of their songs from their firs 3 full length albums and giving the opportunity for the band to play in Canada at the “Victoria Ska Festival” with bands like Fishbone and the Aggrolites, and tour once again the U.S.A.
2011 came and with 10 years of non-stop touring, being included in many important compilations, played with many important bands, and festivals, Los Kung Fu Monkeys return to the game and continue touring Europe once again now playing in the Netherlands, Slovenia, Slovakia, and Croatia for the first time, and coming back to Belgium, England, Germany and Austria once again, playing 4 shows of the tour with NYC’s The Slackers for a crowd of 2000 in Austria at the Arena.
2012 became the most important year of the band, after many years of proving that they are a Mexican Icon and Institution in Mexico, they get added to the most important rock music festival in Latin America “VIVE LATINO 2012” playing with Gogol Bordello, Foster the People, Café Tacuba, and MADNESS. A new record on the works for the first time this same year Los Kung Fu Monkeys release their first vinyl record a 7” 45 RPM split records with the Voodoo Glow Skulls on their own label Cafeina Riot Radio in Mexico touring to promote the release September and October. And also releasing a greatest hits record in Japan on ska in the world records
2013 saw the band tour Canada again with Jamaican Canadian singer Jah Cutta and sharing the stage with bands like the Planet smashers and Rude city riot. Also Returning to Mexico city to play a sold out headlining show at the famed Alicia venue.
2014 Los kung fu Monkeys start the year playing Que me pregunten fest in Mexico city in front of 10,000 people and in April start to record their new upcoming album with Canadian producer Steve Loree (The Real Mckenzies, S.N.F.U)
2015 looks to be their best year putting out a new record with Canadian label Stomp Records and planning on touring for the 2015 release of the record and all of 2016.
Till this day Los Kung Fu Monkeys has toured in over 15 countries all over the world, Headlining, and also sharing the stage and bill with all the greats in the underground as well as the mainstream markets, mythical bands like The Misfits, Moby, Panteon Rococo, Mad Caddies, Voodoo Glow Skulls, Fishbone, Madness, The Toasters, The Aggrolites, NOFX, Dropkick Murphys, Enrique Bunbury, the Planet smashers, The Adicts and many more.
Los Creepers - (Set time: 8:35 PM)
Los Creepers
Los Creepers are true veterans of the Southern California punk rock scene. They have rocked venues as diverse as the Warped Tour, The Hootenanny, and The Ink and Iron Festival. They have performed on countless stages throughout California and beyond, from tiny dive bars to reknown stages at The Troubadour and the Henry Fonda Music Box.

The band emerged from the punk and hardcore scene in Los Angeles, from the Lincoln Heights and Cypress Park neighborhoods of Los Angeles.

Los Creepers mix the high energy tempo of the So-Cal hot rod scene with a love of the blues, surf, punk and rockabilly. They have performed with Rancid, The Adolescents, The Aggrolites, The Straycats, Social Distortion, and NOFX.

The music of Los Creepers is available on most services for streaming or purchasing music - Spotify, iTunes, Beats, Amazon and Rhapsody.
Schizm - (Set time: 8:00 PM)
Schizm
Teenage Rage - (Set time: 7:30 PM)
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change