The Randy Rogers Band

The Randy Rogers Band (10:05 PM)

Cody Johnson (8:30 PM)

Thu, November 10, 2016

8:00 pm

Adv tix $16.00 / DOS tix $18.00

Sold Out

Facebook comments:

The Randy Rogers Band - (Set time: 10:05 PM)
The Randy Rogers Band
Randy Rogers Band: Trouble

When a band spends the bulk of its year on the road, its members are bound to have their share of trouble and strife. But only the truly talented are able to take those trying experiences and turn them into enduring art. The Randy Rogers Band is one of those few, and they’ve transformed coal into diamonds yet again on their latest album for MCA Nashville, Trouble.

Teaming up for the first time with producer Jay Joyce (Eric Church, Cage the Elephant, The Wallflowers), the Texas five-piece—vocalist/guitarist Randy Rogers, guitarist Geoffrey Hill, bassist Jon Richardson, fiddle player Brady Black, and drummer Les Lawless—dove headfirst into songs of loss, love and, above all, truth.

“No matter what, trouble always finds us. And that title honestly sums up the last two and a half years of making this record,” says Rogers. “At times it cuts deep and you can hear the pain, but it’s honest, it’s real. On the flip, we like to have a good time and you can hear that too. ”

During that time, the band and its extended family suffered an assortment of calamities, including the untimely death of Richardson’s brother. Instead of letting those events derail them, the band pulled together tighter than ever and allowed their personal experiences, pain and loss to seep into their work while hunkering down in the studio with Joyce.

“Getting Jay onboard pumped us up, made us work harder, and made me more creative. I think it reenergized our band,” Rogers says. “It was a blessing. The timing couldn’t have been better.”

A blessing for both the group and for their passionate fan base, w ho will no doubt connect with the 11 tracks of Trouble, the band’s eighth album. The band has always enjoyed critical acclaim, thanks to their signature blend of outlaw edge coupled with guy-next-door charm. This album takes that duality to the next level.

The first single “One More Sad Song” is a heart wrenching autobiographical tale of the end of a relationship. The sorrow in the lyric is tangible and echoed by a soaring, haunting chorus. “Fuzzy,” with its dirty, swampy groove, is the hazy recollection of a night that many have heard of and only a few have had. And “Speak of the Devil” is about one man’s efforts to forget his ex whose name and memory haunts the darkest corners of his mind. “I came in here to drink to drown you out and watch you sink…to do anything but think. Speak of the devil.”

“This album is a little more out of the box for us. We pushed the envelope intentionally, to try to grow and experiment with our sound in the studio. Knowing the depth of Jay’s talent and his genius, we were all willing to take a chance to expand our range. We felt comfortable in our skin with him and were able to try sounds that are a bit out of the ordinary,” Rogers says. “Glad we took those chances.”

On “Fuzzy,” for instance, the band uses wrenches and cooking equipment to add texture and layers to the sound. The payoff, a unique album with roots that run deep.

“We’ve grown as a band with this record. But I still don’t think we could make an album without the soul and passion that that embodies Texas music and it’s heritage,” said Rogers. “I am definitely proud that we are from Texas. We got our start here and cut our teeth here. To me, it’s the whole reason I have a gig.” Rogers continued, “Without growing up dreaming to be George Strait or Willie Nelson, there wouldn’t be a Randy Rogers Band.”

As such, there’s a certain cachet attached to the group—an authenticity that can’t be manufactured, and one that is often coveted by other artists.

“We work hard touring, building up our fan base and putting on a good show night after night, over 200 nights a year. I feel like people have grown to respect us for that.” Rogers is nonetheless honored by the group’s three consecutive ACM Award nominations for Vocal Group of the Year. “It’s validating. The ACM nominations, and even the regional awards we’ve won in Austin, mean a lot to the band. I can’t tell you how proud we are every time we hear that we’ve been nominated.”

And they’re equally proud of the fact that their hero Willie Nelson graces “Trouble Knows My Name,” a true-to-life song about the perils of the road that recalls the Red Headed Stranger’s own “Me and Paul.”

“We went out to Willie’s studio to record his vocal and guitar tracks. That is a day I’ll never forget. Having him on our record and being able to be in the studio while Willie Nelson was recording, priceless.”

“In the verse that Willie sings, there really was a guy hanging halfway out of our bus after a show in New Orleans,” Randy says. “We scared him off, and he came back and threw a bucket full of concrete through the window trying to get back in.”

“If I Had Another Heart” is a track that honors one of the band’s influences, Radney Foster, who produced three of the group’s previous albums. “We’ve always been huge fans of Radney and we always try to include him in our records. He was one of my first mentors and I’ve learned so much from him. ‘If I Had Another Heart’ is an incredible song, it really fits what we do as a band on the stage. We were excited he let us cut it, we hope we made him proud.”

Which is exactly where the band excels: on the concert stage. Under those bright lights they actually develop new songs, reinterpret old favorites and, most importantly, forge a connection with their audience before heading back to the studio and employing what they’ve learned. Such was the case with Trouble.

“We like to view albums as snapshots. It’s a photo of where the five of us are and where we came from. We made this record as a team and we’re really proud of it.

It showcases who we are as a band and we got to include some of our heroes—and you just can’t beat that,” says Randy.
Cody Johnson - (Set time: 8:30 PM)
Cody Johnson
The Country genre today is one destined for the Dewey decimal system stretching on aisle after aisle with artists ranging from Hank Williams to Jewel. Establishing a pleasantly unique sound amid this influential mass is not an easy task for any artist, yet it’s one Cody Johnson has accomplished in a respectable way. Fusing country and rock is no new concept, but rarely is it done to the quality by which Cody Johnson will soon be known. Cody Johnson and his band blend County and Rock; creating something new while still respecting the roots of both genres and styles. The 22 year old artist’s freshly energetic blend uniquely bridges generation gaps between fans. At his concerts you will see teenagers and parents alike singing his songs side by side. Nowhere was this more apparent than when Cody was asked to play to 6000 students at the 2007 Texas FFA Convention in Corpus Christi by several adult fans of his in the FFA administration. Also worth mentioning is when Cody and the boys played several songs with presidential candidate Mike Huckabee at a campaign rally in College Station with Huckabee playing Bass.

Cody is making good connections with other talented musicians and has opened for successful artists such as, Kevin Fowler, Roger Creager, Aaron Watson, Brandon Rhyder, Stoney LaRue, Zona Jones, Band of Heathens, Jason Allen, Bleu Edmonson, and numerous others.

The energy and excitement Cody displays during a concert brings to mind legendary performers such as Garth Brooks, Chris Ledoux, and even Jim Morrison. He specializes in getting the crowd involved and drawing them into the show and fans seem to all pile up at the front of the stage begging to get closer. On the opposite end of the spectrum are the intimate acoustic performances this group gives. With Cody at the center, Matt on one side picking lead and singing harmony, and Nathan on the other side playing what seems like an infinite number of sounds on an African Djembe and singing harmony, catching an acoustic show with this group rivals an MTV unplugged session. They still play their own music but also divulge into covers ranging from Hank Williams to Seether, even applying that signature sound to the covers they play.

Cody has been playing guitar, singing and writing since he was twelve years old. Over his 22 years he has written over 200 songs. His entire family is talented in music but Cody is the first Johnson to try to make a living at it. Cody and Nathan met in Huntsville when Nathan moved there to finish his Marketing degree in January 2006 and they started the band in May of 2006 with Cody’s dad Carl Johnson on Bass. They played as a 3 piece for a year and released their first album together titled Black & White Label. With this album, things started picking up and they decided to add a lead guitar player so Cody turned to his high school buddy, Matt Rogers. With the addition of Matt, they decided to record a new album at a live venue. So in May of 2007 they recorded the Live and Rocking at Shenanigans Album. With this album, Carl realized that they had grown out of just playing for fun on the weekends and was forced to quit the band for his day job and family commitments.

In September 2008 the band embarked on their first professionally produced album. They hooked up with Keith Davis in Austin and recorded their debut professionally produced album, Six Strings One Dream, which was released September 2nd 2009 with the first single released off the album “Another Try” reaching the Texas Music Chart only weeks after release the band has high hopes for the numerous other singles they plan to release off the album. What’s important to note is that the band financially backed the production of this album with only their personal money through savings accounts, personal loans, gig money and part time jobs.

The members of Cody Johnson Band are Nathan Reedy on drums. Nathan’s taste in hard rock continually shapes the songs Cody writes and is largely responsible for their country and rock blended “signature sound.” In fact, a majority of their songs are arranged in an “on the fly/improv” manner on Cody’s back porch with Cody singing and playing guitar and Nathan playing the Djembe. Nathans influence is most apparent in songs he and Cody wrote together such as “Take the Devil Home,” “A Bottle and a Bible,” “Texas Kind of Way,” and the song the new album got its title from “Nobody to Blame.” The prodigy Matt Rogers mathematical and systematic electric guitar playing gives each song its unique instrumental identity then seamlessly switching to the core rhythm during Jeff’s solos. Danny Salinas on bass keeps the low ends fat and healthy and his experience in band management and computer knowledge has been a valuable asset to the group.

Since the debut of their first professionally produced album Six Strings One Dream the group is fortunate and proud to have obtained two of the most seasoned and talented musicians available, over thirty years between them. First is Chris Whitten on fiddle who has played with artists such as Willie Nelson, Toby Keith, Pat Green, Kevin Fowler, Bryan White, Gary Stewart, and countless others including an appearance at The Grand Ol’ Opry with Vince Gill, and played on numerous albums before Six Strings One Dream such as Tim McGraw’s “A Place in the Sun” album. The other power house addition is Jeff Smith on lead guitar. Jeff started playing guitar at 8 and performing live at 9 years old as a singer/songwriter. He lived in Nashville for 3 years as a recording artist for Showtime Records where he learned crucial fundamentals about the music business and what it takes you to be a successful musician. His talent has been demonstrated in the presence of the industry’s most familiar artists such as Merle Haggard, George Jones, Tracy Byrd, Jason Aldene, Mark Chestnut, Gary Stewart and Asleep at the wheel just to name a few. For the last 10 years he has been traveling North America and overseas with Nashville Recording Artist Zona Jones until recently committing to the CJB full time. The addition of these two members and the talent and experience they bring with them has played a vital part in the bands recent quick and upward movement.
Venue Information:
9081 Santa Monica Blvd
Los Angeles, CA, 90069

All lineups and times subject to change