Anders Osborne, James McMurtry

Anders Osborne (9:30 PM)

James McMurtry (8:00 PM)

Fri, November 11, 2016

7:00 pm

$25.00

This event is all ages

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Anders Osborne - (Set time: 9:30 PM)
Anders Osborne
The depth of one’s life is evident through their music. The more sorrow, laughter and adventure experienced, the more interesting curves and crevices are carved into an artist’s songs. The miles traveled leave rich lines in the verses that only time, misadventure, and hard-won wisdom can produce. Anders Osborne is a map of intensely felt, passionately engaged living, a fractured but healing topography of heartbreak and hope for fellow travelers to explore.
Osborne’s music is redolent of the blues bathed in West Coast sunshine and brotherly compassion, a torchbearer for rock ‘n’ roll with blood in it’s veins and a heart in it’s hands. His long awaited new full length, Spacedust & Ocean Views, offers up graceful songwriting and signature guitar work on one of the strongest releases in his storied career. A strong sense of place runs through the album. From an evocation of geography to a questioning of one’s place in the universe, big ideas are condensed in thoughtful, smoothly swinging ways. It’s the album his fans have been waiting for- one that only he can deliver.
“These twelve songs speak about places dear to me, places I feel something profound about, but there’s also the presence of the universe,” explains Osborne. “I think one of the main struggles we all face is the separation from unity. I want to understand how I can feel unified with the world and others, with the universe writ large. I can arrange the ideas intellectually but the feeling of longing remains. The whole thing is a mystery, sometimes a sad, baffling mystery and sometimes very enchanting, but overall I just don’t understand and want to desperately. That’s what this music is, an attempt to understand it all.”
And what an attempt it is.
Producer Mark Howard (Bob Dylan, Daniel Lanois, Iggy Pop) uses Osborne’s seasoned, searching voice like a river running through the song cycle. It’s a distinctly human element that continually tenderizes the listener as his sinewy, emotionally charged guitar dances with longtime bassist Carl Dufrene, guitar foil Scott Metzger (Joe Russo’s Almost Dead), and the shared drumming of Brady Blade and Tony Leone. New Orleans percussion master Johnny Vidacovich, bassist James Singleton, and pop-jazz legend Rickie Lee Jones join Osborne for the cosmically charged album closer “From Space.” On the other hand, Spacedust’s lead single “Lafayette” is a roots-fueled rocker- a track that finds Osborne simultaneously sticking to his guns and exploring new territory as an artist.
This special collection of compositions is the culmination of years of writing and touring. “This is the last chapter before something new emerges. I’m wrapping some stuff up and figuring some fresh stuff out,” says Osborne, who’s been moving beyond his complicated past for close to a decade. “Now my life is about a human experience in a larger sense. Now, I feel I’m standing on my own two feet, trying to be a grown man doing the right thing.” In an ever changing musical landscape, Spacedust & Ocean Views firmly plants Anders Osborne as one of American music’s elite guitarists and songwriters.
James McMurtry - (Set time: 8:00 PM)
James McMurtry
Celebrated tunesmith's highly anticipated record an elegant
collection “mostly about relationships” and “the big old world”
AUSTIN, Texas: James McMurtry spins stories with a poet’s pen (“Long Island Sound”) and a painter’s precision (“She Loves Me”). Proof: The acclaimed songwriter’s newComplicated Game. McMurtry’s first collection in six years spotlights a craftsman in absolutely peak form as he turns from political toward personal (“These Things I’ve Come to Know,” “You Got to Me”). “The lyrical theme is mostly about relationships,” McMurtry says. “It’s also a little about the big old world verses the poor little farmer or fisherman. I never make a conscious decision about what to write about.”
Complicated Game delivers McMurtry’s trademark story songs time and again (“Copper Canteen,” “Deaver’s Crossing”), but the record brings a new (and certainly no less energetic) sonic approach. First, recall blistering beats and gnashing guitars from his magnum opus Just Us Kids (2008). Now, unplug. “The label head wanted more acoustic,” McMurtry explains. “We built everything as we went so we ended up with more acoustic guitar as we went. We just played whatever sounded right for a given song, but we weren’t necessarily saying this is an acoustic record.”
Exhibit A: “How’m I Gonna Find You Now.” The record’s lead single boasts buoyant banjos and driving drums as endlessly energetic as anything electrified. Whiplash vocals further frenzy the beat. “I've got a cup of black coffee so I don't get lazy/I've got a rattle in the dashboard driving me crazy,” McMurtry effectively raps. “If I hit it with my fist, it’ll quit for a little while/Gonna have to stop to smoke in another mile/Headed into town gonna meet you at the mercantile/Take you to the Sonic get you grinning like a crocodile.”
Such vibrant vignettes consistently turn heads. They have for a quarter century now. Clearly, he’s only improving with time. “James McMurtry is one of my very few favorite songwriters on Earth and these days he's working at the top of his game,” says Americana all-star Jason Isbell. “He has that rare gift of being able to make a listener laugh out loud at one line and choke up at the next. I don’t think anybody writes better lyrics.” “James writes like he's lived a lifetime,” echoes iconic roots rocker John Mellencamp. Yes. Spin “South Dakota.” You’ll hear.
Further evidence: McMurtry’s Just Us Kids (2008) and Childish Things (2005). The former earned his highest Billboard 200 chart position in nearly two decades and notched Americana Music Award nominations. Meanwhile, Childish Things scored endless critical praise and spent six full weeks topping the Americana Music Radio chart in 2005 and 2006. In 2006, Childish Things won the Americana Music Association’s Album of the Year and “We Can’t Make It Here” was named the rapidly rising organization's Song of the Year.
Of course, Complicated Game doubles down on literate storytelling longtime enthusiasts expect. Recall high watermarks past: “Childish Things,” “Choctaw Bingo,” “Peter Pan,” “Levelland,” and “Out Here in the Middle” only begin the list. (Yes, Robert Earl Keen covered those last two, “Levelland” remaining a live staple.) Just Us Kidsalone includes fan favorites “Hurricane Party,” “Ruby and Carlos” and “You’d a Thought.” High watermarks deliver equal measures depth and breadth and pierce hearts with sharp sociopolitical commentary (“Fireline Road”).
More history: McMurtry critically lauded first album Too Long in the Wasteland (1989) was produced by John Mellencamp and marked the beginning of a series of acclaimed projects for Columbia and Sugar Hill Records. In 1996, McMurtry received a Grammy nomination for Long Form Music Video for Where'd You Hide the Body. Additionally, It Had to Happen (1997) received the American Indie Award for Best Americana Album.
In 2004, McMurtry released the universally lauded Live in Aught-Three on Compadre Records. The following year, Childish Things notched arguably his most critical praise, spending six weeks at No. 1 on the Americana Music Radio Chart in 2005 and 2006. In September 2006, Childish Things and “We Can’t Make It Here” won the Americana Music Awards for Album and Song of the Year, respectively. McMurtry received more Americana Music Award nominations for 2008’s Just Us Kids. This album marked his highest Billboard 200 chart position in more than nearly two decades.
In 2009, Live in Europe was released, capturing the McMurtry band’s first European tour and extraordinary live set. Along with seasoned band members Ronnie Johnson, Daren Hess, and Tim Holt, the disc features special guests Ian McLagan (The Faces) and Jon Dee Graham (True Believers, Skunks). Also, for the first time ever, video of the James McMurtry Band’s live performance is available on the included DVD.
The poignant lyrics of his immense catalog still ring true today. In 2011, “We Can’t Make It Here” was cited among The Nation’s “Best Protest Songs Ever.” “‘We Can’t Make It Here,’” Bob Lefsetz wrote, “has stood the test of time because of its unmitigated truth.”
McMurtry tours year round and consistently throws down unparalleled powerhouse performances. The Washington Post notes: “Much attention is paid to James McMurtry’s lyrics and rightfully so: He creates a novel’s worth of emotion and experience in four minutes of blisteringly stark couplets. What gets overlooked, however, is that he’s an accomplished rock guitar player ... serious stuff, imparted by a singularly serious band.”
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change