Elephant Revival / Mandolin Orange

Elephant Revival / Mandolin Orange

Elephant Revival (9:30 PM)

Mandolin Orange (8:00 PM)

Thu, March 24, 2016

7:00 pm

Adv tix $17.00 / DOS tix $20.00

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Elephant Revival - (Set time: 9:30 PM)
Elephant Revival
Due to family matters, Elephant Revival will be going on hiatus after their upcoming performance at Red Rocks on May 20th. The band will also be appearing at a few select festivals, listed below, and cancelling all other shows.

Brought together 11 years ago by a unified sense of purpose, Elephant Revival has embodied the importance of harmony among all living things. Through six albums and over one thousand performances across the globe, the Colorado songwriters have used music to unite us in ways that no other medium can. Elephant Revival’s environmental stewardship has also been a large part of their career. They’ve worked with numerous organizations promoting sustainability over the years that culminated in their own project, Trail Revival, which works in conjunction with the state of Colorado to clean up and restore trails within the state’s public lands. The band’s environmental work will continue with their next Trail Revival event happening around the second annual Colorado Public Lands Day on May 19th and Elephant Revival’s Red Rocks performance on May 20th with Blind Pilot and Hiss Golden Messenger.
Mandolin Orange - (Set time: 8:00 PM)
Mandolin Orange
Lean in to Mandolin Orange’s album, Blindfaller, and it’s bound to happen. You’ll suddenly pick up on the
power and devastation lurking in its quietude, the doom hiding beneath its unvarnished beauty. You’ll hear
the way it magnifies the intimacy at the heart of the North Carolina duo’s music, as if they created their own
musical language as they recorded it.
Released September 2016 on Yep Roc Records, Blindfaller builds on the acclaim of Mandolin Orange’s
breakthrough debut on the label, 2013’s This Side of Jordan, and its follow-­up, last year’s Such Jubilee.
Since then they’ve steadily picked up speed and fans they’ve earned from long stretches on the road,
including appearances at Newport Folk Festival, Austin City Limits Fest, and Telluride Bluegrass. It’s been
an auspicious journey for a pair who casually met at a bluegrass jam session in 2009.
“When we finished Such Jubilee, I started writing these songs with a different goal in mind. I thought about
how I would write songs for somebody else to record,” Marlin explains. “I ended up with a bunch of songs
like that, but we chose ones that I still felt personally connected to.”
Holed up at the Rubber Room studio in Chapel Hill, N.C., with a full band this time around, they laid down
the tracks in a week between touring. They’ve always been keen on the notion that drawn-­out recording
sessions don’t necessarily yield better results. A good song, and just one good take, will always shine
through any studio sorcery.
The passage of time, and the regret that often accompanies it, courses through these songs. “When did all
the good times turn to hard lines on my face/ And lead me so far from my place right by your side?” Marlin
ruminates on “My Blinded Heart.”
In fact, there’s heartache by the numbers on Blindfaller. If you didn’t know better, you’d swear “Picking Up
Pieces” is a tearjerker George Jones or Willie Nelson sang back in the early 1970s. It’s a Mandolin Orange
original, of course, and also a poignant reminder of the economy and grace with which Marlin imbues his
songs – say what’s important and scrap the rest.
A country dirge with soulful washes of pedal steel and mandolin, “Wildfire” details the lingering, present-­day
devastation of slavery and the Civil War, with Marlin’s voice locking into close harmonies with Frantz on the
chorus. “Take This Heart of Gold” opens with perhaps the best classic-­country line you’ll hear all year: “Take
this heart of gold and melt it down.” (Marlin admits it was inspired by a Tom Waits lyric he misheard).
But there’s also room for detours. Straight out of a honky tonk, “Hard Travelin’” lets the band shift into
overdrive. A freewheeling ode to life on the road, it had been kicking around for a while but never fit on
previous releases.
As for the album title, it’s meant to evoke a sense of wonder, of contemplation. A “faller” is someone who
fells trees, and in this case that person is blind to his/her own actions and those of the world. The spectral
cover photo, by Scott McCormick, is open to interpretation, too: Either those trees are engulfed in flames or
sunlight is pouring through them. It’s up to you.
“We wanted different vibes and different intuitions on these tracks,” Marlin says, “and I feel like we really
captured that.”
Venue Information:
Troubadour
9081 Santa Monica Blvd
Los Angeles, CA, 90069
http://www.troubadour.com/

All lineups and times subject to change