Every year since her musical career took off in 2005, this Afro-German warrior princess has built on her successes, stretched her muscles, and widened her range. Her debut album Victim of Truth (released in the UK in 2007), an inspirational mix of hot loops, black consciousness and 21st-century soul music - was garlanded with praise by the British media. ‘As good as The Miseducation of Lauryn Hill,’ said UK’s The Sunday Times.
Her sophomore release was every bit as lush and visionary as her first. A record where brains, beauty and beats collide No Longer At Ease made its mark across Europe and beyond. It’s a record that Lenny Kravitz and Lauryn Hill both heard and said: ‘I want this girl opening my show!’
It’s easy to see what got Lauryn and Lenny so animated. Nneka’s music has still got a big splash of Bob Marley in the recipe, a measure of Nina Simone and a lick of Erykah Badu.
But this time around there’s more of the best ingredient – Nneka herself. Her first US release, Concrete Jungle is a collection of songs that put the singer/songwriter at the forefront. This album is an offering of love, hope and optimism dedicated to the people of Warri & the Niger Delta of Nigeria. Holding it all together is the emotional focus of her beautiful voice, located in a place somewhere between yearning and rage.
While love, hope and optimism form the bedrock of all Nneka’s recorded work, there’s a steeliness to her new material, the engagement of a highly developed mind on some of the tough realities of modern politics – both personal and international. It takes no little courage – and insight – to write a song like ‘Africans’, which tells her people to stop blaming their colonial past for their problems and take responsibility for themselves. To then go back and sing it to packed houses in Nigeria – where the military rule with an iron fist - shows an extraordinary depth and strength of will. But that’s just what she did, making a triumphant return to her home country on tour with MTV-Award-winning Nigerian rapper 2-Face.
Yet, like the woman who wrote it, the song ‘Africans’ is not dry and hectoring – it’s a soft and elegant melody, a piece of music that doesn’t need to shout but instead seduces. Backed by the production of her longtime collaborator DJ Farhot, whose dubby soundworld she has inhabited since those early demo days in Hamburg, Nneka finds the perfect foil for the raw emotion that she brings to a vocal.

Pigeon John hails from sunny Southern California, Inglewood to be exact. It's easy to assume his signature blend of wit, charisma and undeniable stage presence is a fortunate gift (and it is), but let's be real. Everyone starts somewhere. Pigeon John cut his teeth in the early 90s at the legendary Good Life Cafe, spitting rhymes on the same stage with then fledgling, now established artists like Freestyle Fellowship, Kurupt, The Pharcyde and Jurassic 5. Good Life open-mic nights became PJ's ritual. It was the perfect environment to hone his performance and delivery skills amongst discerning peers.

Time at the Good Life gave way to time spent at local venues and in the studio with friends like Brainwash Projects and LA Symphony. His appearances on the underground classics, The Rise and Fall of Brainwash Project and Composition 1 from Brainwash Projects and LA Symphony, respectively, put him on the radar as one to watch.

In 2002, Pigeon John released his solo debut Pigeon John Is Clueless, selling over 11,000 copies with no distribution. He followed up with Pigeon John Is Dating Your Sister and Pigeon John Sings The Blues. The albums garnered significant praise landing him features in Spin's "Next Big Things" issue, URB's "Next 100" and Mic Check in The Source. PJ's infectious tunes have been used by XBOX for the games "Project Gotham" and "NBA Inside Drive 2002," as well as the major motion picture "Get Over It." John has also performed and appeared in print and television ads for both Levi's and Nestle Crunch.

Touring the nation 8 times over, Pigeon John has earned his veteran status, using a clever balance of self-deprecating humor and confidence to rock any crowd, any stage. His boundless energy seduces crowds making ladies swoon and fellas embrace their geek appeal.

Enamored by PJ's infectious energy and raw talent exhibited on the Cali Comm tour, Lyrics Born brought Pigeon John into the Quannum fold in 2005. His Quannum Projects debut Pigeon John And The Summertime Pool Party (his best album yet!) hits stores September 12, 2006.